Left: Ernest Blumenschein, American, 1874–1960, White Blanket and Blue Spruce. 1922. Oil on linen mounted on paperboard; 34⅛ × 28⅛ in. (86.7 × 71.4 cm). Collection of Vaughn O. Vennerberg II, Dallas, Texas. Courtesy Sotheby's. Right: Gerald Cassidy, Midday Sun, North Africa, 1920s. Oil paint on canvas; 64 × 51½ in. (162.6 × 130.8 cm). Private collection. Photography courtesy Denver Art Museum.

Near East to Far West: A Closer Look

Petrie Institute of Western American Art's 17th Annual Symposium

Left: Ernest Blumenschein, American, 1874–1960, White Blanket and Blue Spruce. 1922. Oil on linen mounted on paperboard; 34⅛ × 28⅛ in. (86.7 × 71.4 cm). Collection of Vaughn O. Vennerberg II, Dallas, Texas. Courtesy Sotheby's. Right: Gerald Cassidy, Midday Sun, North Africa, 1920s. Oil paint on canvas; 64 × 51½ in. (162.6 × 130.8 cm). Private collection. Photography courtesy Denver Art Museum.

Speakers

  • Dr. Jennifer Olmsted, Associate Professor of Art History at Wayne State University
    • Shifting Visions, Divided Allegiances: French Images of North Africa and the Eastern Mediterranean, 1798-1848
  • Dr. Emily C. Burns, Director of the Charles M. Russell Center for the Study of the Art of the American West and an Associate Professor of Art History at the University of Oklahoma
    • Performing Indigeneity in U.S. World’s Fairs, 1893-1904
  • Dr. Christine Garnier, Postdoctoral Fellow, University of Southern California Society of Fellows in the Humanities
    • Proctor in Paris: Menageries, Antiquities, and Imperial Hunts
  • Dr. Robert Warrior (Osage), Hall Distinguished Professor of American Literature & Culture at the University of Kansas
    • Orientalism, Romanticism, and the Challenges of Viewing Art Critically

Moderator

  • Patricia Limerick, Professor of History of the American West, University of Colorado Boulder